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Debussy
Wagner
Berlioz

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Isarphilharmonie

all concerts with this concert program

  • , Isarphilharmonie
  • , Isarphilharmonie
  • Conductor

    Andris Nelsons

    Andris Nelsons is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly…

    more

  • Soprano

    Rachel Willis-Sørensen

    American soprano Rachel Willis-Sørensen is known for her diverse repertoire ranging from Mozart to Wagner. A regular guest at the leading opera houses around the world, Le Monde enthused, "…the American soprano has without a doubt one of the most…

    more

  • Claude Debussy

    Claude Debussy, born on August 22nd 1862 in St.-Germain-en-Laye, was first a glowing admirer of Richard Wagner, but soon turned away from the German musical tradition to develop a French national musical idiom. The style he arrived at was called…

    more

    »Prélude à 'L'Après-midi d'un Faune'«

    »Prélude à 'L'Après-midi d'un Faune'«

    Not until I heard "L'Après-midi d’un Faune" for the first time did I know what music really is. No less an authority than Maurice Ravel was the one who used these words to express his boundless admiration for the work of his friend and colleague…

    more

  • Richard Wagner

    Richard Wagner's (born on May 22th 1813 in Leipzig) music dramas had an extremely polarizing effect on his contemporaries. While half the public was completely drawn into the emotional power of his works, the other half found his music and his…

    more

    »Wesendonck-Lieder« for Soprano and Orchestra

  • Intermission

  • Hector Berlioz

    Since sparking a furore throughout Europe with his "Symphonie fantastique" in 1830, Hector Berlioz (born on December 11th 1803 in La Côte St. André (Isère)) has ranked among the fathers of "program music”. This work then joined with Liszt’s…

    more

    »Symphonie fantastique«, Opus 14

    »Symphonie fantastique«, Opus 14

    In none of his later works was Berlioz ever bolder or more trail-blazing as he was in his "Symphonie fantastique", which he wrote in 1830. With gargantuan orchestral forces, Berlioz relates in strict symphonic form (using Beethoven as his role…

    more

Tickets:

81 € | 69 € | 61 € | 48 € | 42 € | 24 €; U30: 14 € | 11 €

  • Conductor

    Andris Nelsons

    Andris Nelsons is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly…

    more

  • Soprano

    Rachel Willis-Sørensen

    American soprano Rachel Willis-Sørensen is known for her diverse repertoire ranging from Mozart to Wagner. A regular guest at the leading opera houses around the world, Le Monde enthused, "…the American soprano has without a doubt one of the most…

    more

Tickets:

81 € | 69 € | 61 € | 48 € | 42 € | 24 €; U30: 14 € | 11 €

  • Claude Debussy

    Claude Debussy, born on August 22nd 1862 in St.-Germain-en-Laye, was first a glowing admirer of Richard Wagner, but soon turned away from the German musical tradition to develop a French national musical idiom. The style he arrived at was called…

    more

    »Prélude à 'L'Après-midi d'un Faune'«

    Not until I heard "L'Après-midi d’un Faune" for the first time did I know what music really is. No less an authority than Maurice Ravel was the one who used these words to express his boundless admiration for the work of his friend and colleague…

    more

  • Richard Wagner

    Richard Wagner's (born on May 22th 1813 in Leipzig) music dramas had an extremely polarizing effect on his contemporaries. While half the public was completely drawn into the emotional power of his works, the other half found his music and his…

    more

    »Wesendonck-Lieder« for Soprano and Orchestra

  • Intermission

  • Hector Berlioz

    Since sparking a furore throughout Europe with his "Symphonie fantastique" in 1830, Hector Berlioz (born on December 11th 1803 in La Côte St. André (Isère)) has ranked among the fathers of "program music”. This work then joined with Liszt’s…

    more

    »Symphonie fantastique«, Opus 14

    In none of his later works was Berlioz ever bolder or more trail-blazing as he was in his "Symphonie fantastique", which he wrote in 1830. With gargantuan orchestral forces, Berlioz relates in strict symphonic form (using Beethoven as his role…

    more



Duration of concert: about 2 hours

credit Lucas Beck
  • credit Tobias Hase
  • credit Lukas Beck
  • credit Tobias Hase
  • credit Tobias Hase

Directions

The Isarphilharmonie is located on the terrain of the »Gasteig HP8«. Please use public transportation if possible, as there is limited parking available.

Isarphilharmonie
Hans-Preißinger-Straße 8, 81379 München

  • Arrival by subway:

    Arrival by subway:
    U3: Brudermühlstraße station, 350m walk or take bus 54, 153, X30 or X204
    U2: Silberhornstraße station, take bus X30
    U1: Candidplatz station, take bus 54, 153, X30 or X204

  • Arrival by bus:
    The bus lines 54 (Münchner Freiheit-Lorettoplatz), 153 (Giesing-Odeonsplatz), X30 (Harras-Arabellapark), X204 (Putzbrunn-Sendling) and the car park shuttle bus 97 stop at the ‘Schäftlarnstraße/Gasteig HP8’ stop.

  • Arrival by car:

    Arrival by car:
    Blumengroßmarkt, Lagerhausstraße 5: (open from 2 hours before the start of the event until 1 am; the 4-hour flat rate is €10, each additional hour costs €3.50), shuttle bus to Schäftlarnstraße/Gasteig HP8

  • Arriving by bike:

    Arriving by bike:
    There are 200 spaces with bike racks available in front of Hall E and behind Hall X, which can be accessed without steps using a ramp. Helmets and bike bags can be stored in the cloakroom.

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