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Dvořák
Henze
Strawinsky

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Isarphilharmonie

  • Conductor

    Petr Popelka

    Praised for his scintillating, authentic and inclusive approach to conducting and driven entirely by the music, Petr Popelka has been the Chief Conductor at the Wiener Symphoniker since the 2024/25 season. He is also the Chief Conductor and Artistic…

    more

  • Violin

    Isabelle Faust

    Isabelle Faust captivates her audience with her compelling interpretations. She approaches each piece with the utmost respect and sensitivity towards its musical historical context and the historic use of instruments. By combining greatest possible…

    more

  • Antonín Dvořák

    Born on September 19th 1841 in today´s Czech Republic, Antonín Dvořák was regarded by his contemporaries as a kind of composing "nature boy" - inspired, unacademic and drawing directly from the sources of Czech and Slavic folklore, he ranks along…

    more

    Concerto for Violin and Orchestra in A minor, Opus 53

    Concerto for Violin and Orchestra in A minor, Opus 53

    Dvořák´s Concerto in A minor, op. 53, regrettably numbers among the less frequently played 19th century violin concertos. Nevertheless there always were and still are musicians who have a great fondness for this concerto. Violinist Nathan Milstein…

    more

  • Intermission

  • Hans Werner Henze

    The composer Hans Werner Henze, born in 1926 in Gütersloh, regards music, as he explained in a 1990 interview, primarily as a communicator of "atmospheres, moods and realistic (often interpersonal) processes". Henze studied, starting in 1942, at the…

    more

    »Sebastian im Traum« (The Dream of Sebastian)

  • Igor Strawinsky

    Igor Strawinskys works stand out by virtue of their great diversity of style. There was hardly a technique or stylistic development of his time that he didn't deal with, and which did not find expression in his vast body of works, comprising…

    more

    »L'oiseau de feu« (The Fire Bird), Version 1919

  • Conductor

    Petr Popelka

    Praised for his scintillating, authentic and inclusive approach to conducting and driven entirely by the music, Petr Popelka has been the Chief Conductor at the Wiener Symphoniker since the 2024/25 season. He is also the Chief Conductor and Artistic…

    more

  • Violin

    Isabelle Faust

    Isabelle Faust captivates her audience with her compelling interpretations. She approaches each piece with the utmost respect and sensitivity towards its musical historical context and the historic use of instruments. By combining greatest possible…

    more

  • Antonín Dvořák

    Born on September 19th 1841 in today´s Czech Republic, Antonín Dvořák was regarded by his contemporaries as a kind of composing "nature boy" - inspired, unacademic and drawing directly from the sources of Czech and Slavic folklore, he ranks along…

    more

    Concerto for Violin and Orchestra in A minor, Opus 53

    Dvořák´s Concerto in A minor, op. 53, regrettably numbers among the less frequently played 19th century violin concertos. Nevertheless there always were and still are musicians who have a great fondness for this concerto. Violinist Nathan Milstein…

    more

  • Intermission

  • Hans Werner Henze

    The composer Hans Werner Henze, born in 1926 in Gütersloh, regards music, as he explained in a 1990 interview, primarily as a communicator of "atmospheres, moods and realistic (often interpersonal) processes". Henze studied, starting in 1942, at the…

    more

    »Sebastian im Traum« (The Dream of Sebastian)

  • Igor Strawinsky

    Igor Strawinskys works stand out by virtue of their great diversity of style. There was hardly a technique or stylistic development of his time that he didn't deal with, and which did not find expression in his vast body of works, comprising…

    more

    »L'oiseau de feu« (The Fire Bird), Version 1919

Duration of concert: about 1 ¾ hours

81 € | 69 € | 61 € | 48 € | 42 € | 24 €; U30: 14 € | 11 €

credit Marco Borggreve

Playlist

Spotify

Erst wenn Sie zustimmen, erlauben Sie uns Daten von Spotify zu laden.

  • credit Susanne Hassler-Smith
  • credit Felix Broede

Directions

The Isarphilharmonie is located on the terrain of the »Gasteig HP8«. Please use public transportation if possible, as there is limited parking available.

Isarphilharmonie
Hans-Preißinger-Straße 8, 81379 München

Arrival by subway:

Arrival by subway:
U3: Brudermühlstraße station, 350m walk or take bus 54, 153, X30 or X204
U2: Silberhornstraße station, take bus X30
U1: Candidplatz station, take bus 54, 153, X30 or X204

Arrival by bus:
The bus lines 54 (Münchner Freiheit-Lorettoplatz), 153 (Giesing-Odeonsplatz), X30 (Harras-Arabellapark), X204 (Putzbrunn-Sendling) and the car park shuttle bus 97 stop at the ‘Schäftlarnstraße/Gasteig HP8’ stop.

Arrival by car:

Arrival by car:
Blumengroßmarkt, Lagerhausstraße 5: (open from 2 hours before the start of the event until 1 am; the 4-hour flat rate is €10, each additional hour costs €3.50), shuttle bus to Schäftlarnstraße/Gasteig HP8

Arriving by bike:

Arriving by bike:
There are 200 spaces with bike racks available in front of Hall E and behind Hall X, which can be accessed without steps using a ramp. Helmets and bike bags can be stored in the cloakroom.

Social Media

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