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Debussy
Mozart
Schönberg

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Isarphilharmonie

  • Conductor and Piano

    Lahav Shani

    Since 2018, Lahav Shani has been the Chief Conductor of the Rotterdam Philharmonic Orchestra. From the 20/21 season he started his position as Music Director of the Israel Philharmonic Orchestra, taking over from Zubin Mehta who held the position for…

    more

  • Claude Debussy

    Claude Debussy, born on August 22nd 1862 in St.-Germain-en-Laye, was first a glowing admirer of Richard Wagner, but soon turned away from the German musical tradition to develop a French national musical idiom. The style he arrived at was called…

    more

    »Prélude à 'L'Après-midi d'un Faune'«

    »Prélude à 'L'Après-midi d'un Faune'«

    Not until I heard "L'Après-midi d’un Faune" for the first time did I know what music really is. No less an authority than Maurice Ravel was the one who used these words to express his boundless admiration for the work of his friend and colleague…

    more

  • Wolfgang Amadeus Mozart

    With his symphonies, operas, concerti and chamber music, Wolfgang Amadeus Mozart (born on January 27, 1756 in Salzburg) is today the most-performed composer of all times. While still a child, he was already an international celebrity: trotted out by…

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    Concerto for Piano and Orchestra in B-flat major K. 575

    Concerto for Piano and Orchestra in B-flat major K. 575

    “Come, darling May, and color the leaves green again”. The precursor of this song by Wolfgang Amadeus Mozart, entitled “Sehnsucht nach dem Frühling” (“Longing for Spring”), and written in 1791, the year of the composer´s death, was the theme of the…

    more

  • Intermission

  • Arnold Schönberg

    Arnold Schönberg was one of the most important musical personalities of the previous century. Starting out with a final surge of the late romantic music, he took a radical step away from what was then regarded as the crisis of tonality with his move…

    more

    »Pelleas und Melisande«, Symphonic Poem for Orchestra, Opus 5

    »Pelleas und Melisande«, Symphonic Poem for Orchestra, Opus 5

    In quest of an operatic subject Arnold Schönberg was advised to have a look at Maurice Maeterlinck´s drama "Pelléas et Mélisande". Schönberg was thrilled, but the subject did not inspire him to an opera but rather to a symphonic poem. "Completely…

    more

  • Conductor and Piano

    Lahav Shani

    Since 2018, Lahav Shani has been the Chief Conductor of the Rotterdam Philharmonic Orchestra. From the 20/21 season he started his position as Music Director of the Israel Philharmonic Orchestra, taking over from Zubin Mehta who held the position for…

    more

  • Claude Debussy

    Claude Debussy, born on August 22nd 1862 in St.-Germain-en-Laye, was first a glowing admirer of Richard Wagner, but soon turned away from the German musical tradition to develop a French national musical idiom. The style he arrived at was called…

    more

    »Prélude à 'L'Après-midi d'un Faune'«

    Not until I heard "L'Après-midi d’un Faune" for the first time did I know what music really is. No less an authority than Maurice Ravel was the one who used these words to express his boundless admiration for the work of his friend and colleague…

    more

  • Wolfgang Amadeus Mozart

    With his symphonies, operas, concerti and chamber music, Wolfgang Amadeus Mozart (born on January 27, 1756 in Salzburg) is today the most-performed composer of all times. While still a child, he was already an international celebrity: trotted out by…

    more

    Concerto for Piano and Orchestra in B-flat major K. 575

    “Come, darling May, and color the leaves green again”. The precursor of this song by Wolfgang Amadeus Mozart, entitled “Sehnsucht nach dem Frühling” (“Longing for Spring”), and written in 1791, the year of the composer´s death, was the theme of the…

    more

  • Intermission

  • Arnold Schönberg

    Arnold Schönberg was one of the most important musical personalities of the previous century. Starting out with a final surge of the late romantic music, he took a radical step away from what was then regarded as the crisis of tonality with his move…

    more

    »Pelleas und Melisande«, Symphonic Poem for Orchestra, Opus 5

    In quest of an operatic subject Arnold Schönberg was advised to have a look at Maurice Maeterlinck´s drama "Pelléas et Mélisande". Schönberg was thrilled, but the subject did not inspire him to an opera but rather to a symphonic poem. "Completely…

    more

Duration of concert: about 2 hours

81 € | 69 € | 61 € | 48 € | 42 € | 24 €; U30: 14 € | 11 €

credit Co Merz

Playlist

Spotify

Erst wenn Sie zustimmen, erlauben Sie uns Daten von Spotify zu laden.

  • credit Co Merz
  • credit Co Merz

Directions

The Isarphilharmonie is located on the terrain of the »Gasteig HP8«. Please use public transportation if possible, as there is limited parking available.

Isarphilharmonie
Hans-Preißinger-Straße 8, 81379 München

Arrival by subway:

Arrival by subway:
U3: Brudermühlstraße station, 350m walk or take bus 54, 153, X30 or X204
U2: Silberhornstraße station, take bus X30
U1: Candidplatz station, take bus 54, 153, X30 or X204

Arrival by bus:
The bus lines 54 (Münchner Freiheit-Lorettoplatz), 153 (Giesing-Odeonsplatz), X30 (Harras-Arabellapark), X204 (Putzbrunn-Sendling) and the car park shuttle bus 97 stop at the ‘Schäftlarnstraße/Gasteig HP8’ stop.

Arrival by car:

Arrival by car:
Blumengroßmarkt, Lagerhausstraße 5: (open from 2 hours before the start of the event until 1 am; the 4-hour flat rate is €10, each additional hour costs €3.50), shuttle bus to Schäftlarnstraße/Gasteig HP8

Arriving by bike:

Arriving by bike:
There are 200 spaces with bike racks available in front of Hall E and behind Hall X, which can be accessed without steps using a ramp. Helmets and bike bags can be stored in the cloakroom.

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